Archive for the ‘Evening Bags’ Category

Judith Leiber Streamline Frosted Lucite Clutch

Monday, March 1st, 2010

Lucite and I are having a moment lately. Well, not just Lucite, but any kind of clear acrylic – it may be best known as the main component in stripper heels, but it also has many lovely modernist applications, particularly in home decor.

It also has its place in a slightly more retro aesthetic, which the Judith Leiber Streamline Frosted Lucite Clutch displays beautifully.

Not only is this bag a bit of a departure from the super-bedazzled object clutches that made the brand famous, but it’s also a little different than the ultra modern furniture that I’ve been looking at because the Lucite isn’t crystal clear. The folks at Leiber have frosted it, preventing your belongings from being obvious to anyone that might glance at your bag.

And if you’re carrying this sublime slice of Art Deco loveliness, people will definitely look. The designers edited this bag perfectly – the clear rectangular crystals at the sides are just enough to provide Leiber’s signature sparkle while still making it totally accessible to anyone that wants a little 1920s retro goodness in their lives (or wardrobes). Buy through Net-a-Porter for $2595.

Original post by Amanda Mull

Judith Leiber Damask Curved Clutch

Tuesday, February 9th, 2010

When you were young, do you remember dreaming about all sorts of grandiose events you would attend when you were a “grown up”? I know I did. It wasn’t about money, it wasn’t about what it stood for, it was, well, about being a grown up. Now that I am a grown up, I’m still not attending the kind of events I used to dream about. I’m not complaining but I just am not there yet.

I remember being young and watching my mom get ready before she went out to a huge event with my dad. I remember her slipping on a gorgeous evening gown, fastening her necklace and any other jewelery. But more than anything else, I remember her grabbing a gorgeous evening bag and packing just the essentials into that bag. I thought about that night for myself for a while. Now I am a grown up and I think of carrying a Judith Leiber bag to one of those events.

Yes, with age, comes wisdom. And for me, that includes wisdom in the handbag realm. No matter what, I still spend time looking at and drooling over amazing evening bags. While I’ve seen it before, something jumped out at me about the Judith Leiber Damask Curved Clutch.

Anything Judith Leiber means sparkles, jewels, bling and glamor. This clutch has all of that and exquisite class. This clutch is fully beaded with dark indio and clear Austrian crystals. The pattern of the crystals is elegant yet not too dated. In fact, if you had the money to drop, it wouldn’t matter your age, because you could completely pull it off. Everything comes together with silvertone hardware and a push-button closure. This is the kind of evening bag that I’ve longed to carry and with the proper bit of saving, I might be able to make it mine. Buy through Bergdorf Goodman for $3795.

Original post by Shannon Mahoney

Taylor Jacobson leaves Rachel Zoe

Saturday, November 7th, 2009

Taylor Jacobson leaves Rachel Zoe

We are a day late reporting the news, but we are reporting nonetheless. Taylor Jacobson, who worked for Rachel Zoe, is no longer with Rachel Zoe Inc as of yesterday. The news is conflicting whether Taylor was fired or quit. If you followed the Rachel Zoe Project (one of my many guilty pleasures), Taylor Jacobson continued to express her disdain for her job and where her job was going. Though the end of the season showed things looking up between Tay and Rachel, Taylor is gone.

Now comes the different reports. Taylor seemed excited for a new beginning on her Twitter page stating: “Today is an end of an era and a beginning of a new professional chapter. Looking forward to what the future brings…!!!”.

Fashionista reported that Taylor sent out an email saying: “After four amazing years at Rachel Zoe Corporation, I’m saddened and exhilarated at the same time to announce my departure. After much thought and consideration, I have decided to take the challenging leap to go off and style on my own.”

But what People is reporting says that Taylor was actually fired by Rachel Zoe (story here). What is the truth? I am not sure right now, but I am confident that Taylor will have success styling on her own. Taylor has made a name for herself before the RZP aired and only solidified her name being on the show. We wish Taylor the best in her new endeavors!

Original post by Megs Mahoney Dusil

Miu Miu Ombre Paillette-Embellished Clutch

Wednesday, October 28th, 2009

Miu Miu Ombre Paillette-Embellished Clutch

Ombré is, admittedly, a really difficult thing to pull off. It has to be the correct color transition, done in the correct shades, and with the correct depth of color. I’m not sure why the good people at Miu Miu thought that this would be a good thing to try and do with giant sequins on a tiny bag, then, but I can tell you that the Miu Miu Ombré Paillette-Embellished Clutch does not work out as well as they probably intended.

It’s not that I don’t see what they were trying to do here – I do. But on a super squat bag, three colors of sequins does not ombré make. It just makes six rows (two of each) of similarly colored paillettes. The effect is completely lost because there’s no slow and gradual transition, and the paillettes themselves are all solid-colored. If they had had an ombré effect as well, things might have gone more smoothly.

Not only that, but the paillettes look rather sloppily attached and arranged. Forming a larger overall pattern with movable objects relies pretty heavily on the ability of the designer to keep them looking neat and organized, and that doesn’t really happen here. Plus, when a sequin moves out of turn, it reflects light different than the rest and further hinders the ability of this clutch to look ombré in the least. Overall, this is not an evening bag I would actually pay money to own. Buy through Net-a-Porter for $950.

Original post by Amanda Mull

Buzz Worthy: The Color Jade

Monday, September 28th, 2009

Jade Handbags

In the past few days the internet is a buzz about the latest must have nail polish, Chanel Jade Nail Polish. This polish was seen on the runway months ago and the speculation began if that color would be produced. It has been and is being sold online at Chanel now (better get it while you can).

The color Jade falls into the jewel hued family, but when we see jewel toned bags it is typically reds and purples and deep greens. A vivacious green will amp up your wardrobe and add the splash of color our browns and grays are yearning for. Here are some of our favorite Jade handbag picks, from Valentino to Kate Spade we have Jade Handbag options for you.

From top, left to right:

1. Dooney & Bourke Patent Medium Chiara Bag | $200 via Zappos

2. Kate Spade New York Coney Island Stevie Tote | $295 via Bloomingdale’s

3. Valentino Satin Bow Front Clutch | $895 via Net A Porter

4. Kate Spade Sullivan Street Sybella | $222 via Zappos

5. Chanel Jade Nail Polish | $25 via Chanel

6. Marc by Marc Jacobs Picnic Flat Hobo | $228 via Zappos

7. Linea Pelle Dylan Leather Hobo | $395 via Bloomingdale’s

Original post by Megs Mahoney Dusil

Valextra Babila Tote

Thursday, September 10th, 2009

Valextra Babila Top HandleI know that Valextra is much-lauded as a brand of staid and classic bags that are extremely well-made out of the finest leathers, but…I just don’t get it. I can’t wrap my head around it.

It seems like I’ve seen the Valextra Babila Top Handle everywhere – on celebrities, as one of Barneys.com’s much-lauded “obsessions,” at the finest stores. But I can’t help but find them unbearably plain and dull – the emperor appears to have no clothes.

Valextra Babila Top Handle

I don’t get it. Sure, it’s a bag. It’s functional and unobtrusive. Its lines are clean. It serves the essential functions of a handbag, and I’m sure it’s made with very fine leather. For those prices, I would hope that it’s hand-made. Out of unicorn hide. And gold thread. We certainly see bags everyday that are more expensive, but to assign a price upwards of $2000 to a bag that seems to be hardly more complex in design or construction than your average canvas tote? I think they’re pressing the bounds of sanity there.

So, like I said, I think the emperor has no clothes. An insider-y, esoteric brand makes it, the fashion establishment tells us it’s fabulous, fashionable stars like Angelina Jolie are photographed wearing it….so it MUST be great, right? And worth two grand? I just don’t think so. Even if it’s the best-constructed version of itself that it could possibly be, out of the finest leather, I just don’t think it warrants the price tag. Buy through Luisa Via Roma for $2114.

Original post by Amanda Mull

Lanvin Amalia Quilted Cabas Tote

Wednesday, August 5th, 2009

It’s been a long time since I’ve seen a Lanvin bag that I wanted to carry everyday. Same for a brown bag – that color just doesn’t jibe well with my mostly black wardrobe, and as a result, I’m not commonly attracted to bags of that color since I know I won’t get much wear out of them. For some reason, though, those two things combine in the Lanvin Amalia Quilted Cabas Tote to make a bag that I’d love to wear.

Lanvin Amalia Quilted Cabas Tote

I think that a huge portion of the bag’s appeal may be the milk chocolate leather. The bag is made entirely of lambskin, which looks so soft and tactile that I can’t help but want to reach through my screen and grope the bag. The surface is largely unobstructed by other design elements, and the result is a smooth expanse of leather that looks like it might actually taste like a Hershey bar if you licked it. Not that I’m advocating that you lick your bags, of course. But wouldn’t it be cool if it did? Even in it’s current state, I’d take this bag in a heartbeat. Buy through Luisa Via Roma for $1561.

Original post by Amanda Mull

Salvatore Ferragamo Studded Jazz Satchel

Friday, July 31st, 2009

Salvatore Ferragamo Studded Jazz SatchelIt’s rare that I see a technique that I haven’t seen used somewhere before. After all, I spend 40 hours a week (sometimes more, depending on how inefficient I am) looking at handbags; if a weird leather trick or a trim idea or a shape is out there, I’ve probably come across it out of professional necessity at some point. To a certain extent, there is nothing new under the sun – designers rip off each other and their own brands’ design history as much out of necessity as anything.

Which is part of the reason that I like the Salvatore Ferragamo Studded Jazz Satchel: the petal effect of the cut leather is not something you or I see every day. It’s incredibly intricate (and for the price, I certainly hope it was done by hand) without taking away from the essential function of the bag, which is a trick that not all designers execute skillfully. Usually I’m not a fan of brown, but in this case, keeping the color neutral and unobtrusive was the wiser decision. Although, now that I think of it, the tiny studs are silver – wouldn’t this bag be cooler in black? It looks less industrial this way, though, and maybe that will appeal to a wider customer base. Still, black version? Please? Or maybe not, since it’s so hideously expensive that I can’t buy it anyway. Buy through Luisa Via Roma for $3845.

Original post by Amanda Mull

Roger Vivier RV Shopping Tote

Wednesday, July 29th, 2009

The Roger Vivier RV Shopping Tote is the perfect example of two handbag design principles that I believe to be true. First, that you don’t need to over-design in order to have an interesting bag. The lines of this tote are incredibly sleek, but the precision shows a great deal of care and thought were placed in to them. The leather-covered semi buckles that form the handle attachments are the perfect finishing touch, and the mirror the buckles that Vivier is so famous for in their shoes. It’s not overpowering, but it’s there, and it’s successful as a design element.

Roger Vivier RV Shopping Tote

The second principle that this bag demonstrates is that when you have great leather to work with, you don’t need much else. Deciding to cover the hardware with the bag’s material instead of leaving it as metal was a great decision - it gives the bag a continuity that metallic hardware would somewhat diminish. The material used on this bag is amazing - it’s simultaneously matte and a bit shiny, it has a natural texture to it that hasn’t been erased in the tanning process, and the color is somewhere in a middle ground between brown and olive green. With so many basic thing’s working in the its favor, there was no need for the designer to employ any kind of gimmick to make this bag stand out. Buy through Luisa Via Roma for $2118

Original post by Amanda Mull

What happens when high-end goes down-market?

Tuesday, June 23rd, 2009

Jimmy Choo for H&MWhat are we buying when we buy a luxury good? Are we buying a brand name, a well-made product, or an item to ensure that others think a certain way about us when they see it? For most high-end consumers, it’s probably some combination of those options.

Many customers would claim that they buy only for the quality that these products provide, but the reaction of some customers to the recent announcement of Jimmy Choo’s collaboration with H&M seems to run contrary to those claims. Some people were excited to see what the partnership would create, but many Choo loyalists voiced the opinion that the brand was losing something by creating a temporary line for a low-end retailer.

Choo’s fans aren’t the first to scowl at the idea of their favorite label creating an inexpensive product line, and they’ll be far from the last. What seems to be unique about this occasion, though, is that Jimmy Choo is the most broadly known brand yet to dabble in mass-market, low-price retail. So far, many small or independent designers have used the tactic as a way to broaden their name recognition and, potentially, their customer base. Choo, though, is a brand with a pretty clear image in the minds of most women with any sort of fashion consciousness or desire for expensive shoes.

So what happens when a brand with a large following and a seemingly healthy business decides that they want to dabble in the desires of Middle America? Well, according to Robin Givhan of the Washington Post, it means that luxury as we know it is dead.

Which seems like an incredibly histrionic reaction indeed. In the economic predicament in which we currently find ourselves, any number of writers have predicted that an unending list of occurrences are what really marks this mythic “end” of aspirational consumer goods. Why this one is any different than the others? I have no idea.

What I think it does, though, is bring up some nasty truths that luxury customers would rather push out of their minds. If I had spent thousands (or tens of thousands) of dollars of my earnings on Jimmy Choo shoes in my life at $500-700 a pop, the reality that Choo can make an attractive (if likely to be lower-quality) pair of stilettos for less than $100 would definitely be unpleasant. If the steep price tag isn’t necessary, why have their customers been paying it for so long?

But does acknowledgment of the often-astronomical margins on handbags and shoes mean that all customers will suddenly abandon the goods that they know and love? I seriously doubt it. Most reasonable consumers have to realize that the construction of an average high-end handbag doesn’t cost anywhere near four digits, and I don’t think that Jimmy Choo making a couple pairs of cheap shoes is going to inform anyone of this fact that wasn’t already aware of it on some level.

Image may be a slightly bigger problem than economics, though. Luxury customers, no matter what they say, are often in the market for exclusivity as much as they are for a new bag. And if anyone with a local H&ampM (or Target, or TopShop) and a spare $50 can have something designed by their favorite brand, then the status implied by sporting a pair of Jimmy Choos is suddenly in limbo. And if Jimmy Choo is doing it, then are there that many brands out there that wouldn’t consider it? Probably not.

Only time will tell what, if any, lasting impact this will have on the luxury industry, but despite all the hubbub it’s causing among Jimmy Choo’s fans, I’m still dubious. If they were introducing a permanent collection of pleather shoes, then the impact would probably be more palpable and long-lasting. As it is, the collection is a small group of products that will only be sold in H&M’s largest stores in their largest markets and will probably be completely wiped off the shelves by the end of launch day. It provides a lot to talk about for people like us, who are in the business of talking about such things, but it’s likely to be little more than a blip on the radar screen of the larger fashion industry.

Things don’t change overnight, and cheap shoes will not fell the decades-old luxury industry as we know it. A price reset among traditional luxury goods is already somewhat underway, as we’ve discussed previously on this blog, and some women probably do need to reevaluate what they’re trying to accomplish by buying a small fortune’s worth of shoes or bags. But the marketplace forgets things like this rather quickly, and a recession-era olive branch to cash-strapped consumers won’t reflect poorly on the brand in the eyes of fashion history. And when women are looking for the sexiest pair of stilettos they can find, they’re not going to exclude Jimmy Choo on principle for long, and probably not at all.

Original post by Amanda Mull